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(check with each gallery for time)

No appointment or tickets needed.

Blade Study

17 Pike Street, New York, NY 10002

January 11 - February 18, 2024

"Stretch Under Strain" : Nick Fusaro

Nick Fusaro (b. 1989) is a Brooklyn-based conceptual artist. His first exhibition with the gallery, Stretch Under Strain, references the technical definition of deformation, a measure of how much an object is stretched, and strain, the ratio between the deformation and the original length. Included artworks explore the strain of ideation, production, and historical baggage that are inherent to the creative process.


Essex Flowers

19 Monroe Street, New York, NY 10002

February 10 – March 10 , 2024

Reception: February 9, 6-8pm

"Tuning" : Sara Murphy

Essex Flowers presents Tuning, by Sara Murphy. The artist will present a new sculpture with sound, and a selection of automatic drawings. Piano is a representation of a typical, upright piano, with a body-scaled tweak. Drawings from I.C.O.N. Program similarly display the hand's physicality, with results alternating from pathetic to comic to ghoulish to familiar.


Harman Projects

54 Ludlow Street, New York, NY 10002

February 10 - February 24, 2024


"The Red Envelope Show"

Harman Projects is pleased to announce The Red Envelope Show, a group exhibition curated by Grumpy Bert.


Joanna Frank Design Shop

102 Eldridge Street, New York, NY 10002

Ongoing through February


"Winter Light: Rare work from Mid-Century Finland" : Paavo Tynell, Lisa Johansson-Pape, & Gunnel Nyman

The best lighting from wartime Finland, highlighting works by female designers.



299 Grand Street, New York, NY 10002

February 17 - April 6, 2024

Reception: 4-7pm

"Double Reflection": Xi Zhang

Zhang’s paintings have always manifested the psychological weight experienced in moments of turmoil and tribulations. In his oneiric narratives, melancholia is a familiar companion–overbearing landscapes and foreboding atmospheres suppress his lonely protagonists, obscuring the delineation of fantasy and reality. An opening reception will be held on Saturday, February 17 from 4 to 7 PM. The artist will be present. Gallery opening hours are Tuesday through Sunday, 11 AM to 6 PM.


Massey Klein

124 Forsyth Street, New York, NY 10002

February 10 2024 - March 23, 2024

Reception: February 10, 4-7pm

"Jude Griebel: Revenants" : Jude Griebel

Massey Klein Gallery is pleased to present Revenants, a solo exhibition of new sculptures and works on paper by Jude Griebel. The exhibition will be on view from February 10th through March 23rd. An opening reception will be held on Saturday, February 10th from 4-7pm. This is the artist’s first exhibition with the gallery. For press inquiries or questions regarding works available, please email


McKenzie Fine Art

55 Orchard Street, New York, NY 10002

January 26 - March 3, 2024

4-6 pm

"Glass Breaks" : James Nelson

James Nelson has long created drawings with graphite, charcoal, and pastel on handmade Chinese or Gampi papers. From show to show, his imagery has been either abstract or representational; in this body of work, created from 2021 to 2023, the works are abstract. As always, they display a rich variety of mark-making, from all-over fields of subtle, discreet, and careful lines to more expressionistic, bold, and emotional gestures. They are characterized by an intensity of focus which rewards slow and careful viewing.



13 Monroe Street, New York, NY 10002

February 16 - March 30, 2024

"Mike Olin Paintings" : Mike Olin

Peninsula is pleased to present "Mike Olin Paintings," a solo exhibition showcasing the latest series of paintings by artist Mike Olin. Composed of a combination of found media and oil paint collaged onto linen, Olin’s work walks a thin, seemingly contradictory line between extreme blunt directness and subtlety.



373 Broadway #215, New York, NY 10013

January 19 - March 2, 2024


"Gabriele Grones: Sacred Connections" : Gabriele Grones

Sacred Connections showcases a brand-new series of oil paintings on canvas that focuses on the symbology of the four sacred plants to Northeastern Native Americans in diverse cultures: cedar, sage, sweetgrass, and tobacco. Central to the installation is a complex polyptych dedicated to the cedar tree accompanied by additional works highlighting the other three plants.



127 Eldridge Street, New York, NY 10002

January 26 - March 3, 2024

3-6 pm

"Hot Mess" : Becky Brown, Rachel Domm, Zebadiah Keneally, Trevor King, & Paula Stuttman

Good Naked presents "Hot Mess", an exhibition that tackles the hot mess that is our current state of affairs. Using text and image each artist skillfully weaves us through the sticky field that is language and feeling. Compositions and structures bring humor and gravity to existential moments leaving us space to sigh and gulp in familiarity and anticipation.



37-39 Clinton Street 1st Floor, New York, NY 10002

February 9 – March 6, 2024

"Path of Imagination |想像の道" : Yusuke Ochiai

Solo exhibitions of work by Yusuke Ochiai in honor of the artist’s solo show before going toward the next step in his artistic career.


Thomas Nickles Project

47 Orchard Street, New York, NY 10002

January 20 - March 16, 2024

"PLACE" : Rocío García, Linet Sánchez, Gertrudis Rivalta, & Sandra Cordero

Place delves into the diverse ways that these artists engage with the categories of space and place to explore questions of identity, memory, gender, imagination, history, power, eros, nostalgia and psyche.


title of work

57 Orchard Street, New York, NY 10002

January 12 - March 12, 2024

"Wire Crown" : Ruben Burgess

“From his adept background in the sartorial realm, Burgess exposes the fragility of life through varying mediums. He examines the threads we wear in relation to our human form ands utilizes various materials to capture an uneasiness that a line could snap at any moment, that all of the things we hold onto are inherently ephemeral.”


Voltz Clarke Gallery

195 Chrystie Street, New York, NY 10002

January 10 - February 16, 2024

12-5 pm

"Knot Theory" : Lucy Soni

British artist, Lucy Soni is inspired by the idea of control versus chaos. Her compositions start as small scribbles on paper and communicate a sense of urgency. Through tracing, enlarging, repeating, and layering, Soni transfers these forms to large scale canvases. This process produces carefully balanced paintings which unite impulsive mark making and high art.


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