July 7 - July 28

Navot Miller: Coming Back Homo, curated by Russell Tovey

Navot Miller (b. 1991, Israel) Miller’s work focuses on intimate interactions and on the queer aspects of banal, uneventful encounters. Throughout his life, Miller has been fascinated by visuals and sound as a way of expressing ideas and exploring topics such as sexuality, religion and desire. Using the practice of opposite and contrasting colors as a form of painting and the aesthetic of collaging short videos, Miller creates montages of scenes into paper, canvas and videos while juxtaposing tragedy and positivity. Primarily working with oil and water based paint, he engages with flatness as a way to create senses of still drama and voyeurism in his works. He pays close attention to the figurative form of objects he considers as a muse and to the sense of space curated by multiple layers collaged together.

July 1 - August 14

Remarkably Clear, Almost Invisible

Monia Ben Hamouda / Michele Gabriele

June 23 – July 31

Visions of the City

For Stipan Tadić there is always romance. In Visions of the City a series of paintings come tantalizingly close to forming a complete story arc. Dense with imagery, Tadic articulates in a style that negotiates the art historical into the proletarian grammar of comic books, arriving at a core which defies boundaries, in which Medieval illuminated manuscripts mingle with video game aesthetics and 1980’s neon. Here, vignettes surface, of people haunted and depressed, of Tadić himself, and most of all, of life in New York City.

June 8 - July 29

Catechism

We’re considering the rich margins of several contributors' practices. Planned as a drawing show, the exhibition unfolds as a survey of textual and textural close readings for believers (as an analogy).

June 4 - July 23

Quarries

Ellie Ga

June 23 - August 21

Untitled (hands)

Jennifer Bolande
Jack Goldstein
Brigid Kennedy
Kogonada
Vernacular Photographs from the collection of A. & D. Winter

 

May 25, 2022 - July 30, 2022

Ecologies of Care; Ani Liu

Ecologies of Care showcases a series of new works created during the artist’s postpartum period, in contemplation of the labor of mothering. Reflecting on the historic devaluation of “women’s” work, the exhibition documents the labor often made invisible, questioning the types of work we value, and the care that we often take for granted.

July 14 – August 26, 2022

Philip Akkerman

June 22–August 5, 2022

In Defense of Secrets
Hou Zichao, Priscilla Jeong, Li Hei Di, Pauline Shaw

June 25 - July 25

Field Study

A recurring interest in machines plays a part in the construction of sensitive objects made of code, dry-logic, and inference. By predicting unseen data from previously observed data, we arrive back at the lens. Hail apperception.

July 1  - July 30

The Capital of Fine is OK

Jonathan Ehrenberg’s new reliefs are handmade riffs on his digital output that explore how changes in the body affect the mind. In their post-digital afterlife, feet, mouths, and other parts begin to eat themselves, dispersing the body among its own perceptions.

June 24 - August 4

Pirouette

Sara Yukiko Mon

July 7 - July 30

The Exhibition Lab Exhibition

The annual showcase of photography as part of the Exhibition Lab program; Aaron Deetz, Barbara Ehlers, Dale Armstrong, Daniel Kariko, Debe Arlook, Diana Nicholette Jeon, Diana Cheren Nygren, Hannah Altman, Kris Davidson, Leslie Levenson, Meghann Stelzner, Meredith Esser, Robin Bell, and Suzanne Lovett.

July 6 - August 26

Women at War

Women at War features works by a selection of the leading contemporary women artists working in Ukraine, and provides a context for the current war, as represented in art across media. Several works in the exhibition were made after February 24, 2022, when Russia began full-scale invasion; others date from the eight years of war following the annexation of Crimea and the creation of separatist “republics” in Donbas in 2014.

May 26 - July 30

A Line in the Sand

In A Line in the Sand, Robert Yoder constructs an alphabet of isolation out of redacted text and found materials. Informed by his time spent working alone in recent years, he contemplates errors and emendations as building blocks for new works. Removing original context from symbols and media—whether by disjunction or erasure—the artist explores how the ways we record or censor our thoughts affect the nature of knowledge.

June 16 – July 30

Benny Merris: flash!

Heroes Gallery is pleased to present new work by Benny Merris in conversation with Lygia Clark, Jacques-Yves Cousteau, Harold “Doc” Edgerton, Joan Jonas, Yusef A. Lateef, Emilio Pucci Heritage, and Smokehouse Associates. This constellation of artists informs Merris’ ongoing series “An Other Another,” 2012–present.

July 21 - July 30

PASSION

PASSION was a competition where artists from around the world entered artworks in various mediums to show what they were passionate about. A group of winners was selected that will be holding a group show at Gallery Arte Azulejo at the end of July. To see some new and fresh artworks, come visit this show to see talent showcased from around the globe.

June 17 - July 23

Kimberly Pepperoni's Closet

Kevin Sabo’s first solo presentation in New York City, on view during the 2022 Pride Month, between June 17 and July 23. Taking place as the culmination of his residency with the gallery, the show features the queer artist’s drag alter ego, Kimberly Pepperoni’s inner sanctum. Sabo’s queer figures burst out, both stylish and stylized, powerful and special, like the show’s namesake, Kimberly Hart–the kickass female Pink Power Ranger from the 1990s kids show “Mighty Morphin Power Rangers.”

June 30th - July 25th

"A Familiar Feeling" - Ryan Monahan and E.LEE

Both artist create all the work by hand, even the frames and craft art that feels familiar and resonates with all.

June, 22 - July 30

Tempus Fugit

LatchKey Gallery is proud to present Tempus Fugit, curated by Charles Moore. Tempus Fugit features 11 emerging artists whose work speaks to the contemporary chaos of today’s world. Showcasing various mediums ranging from paintings to video art, Tempus Fugit demonstrates how artists from all walks of life are responding to the overwhelming issues that plague our society.

June 17  - July 7

Re-Cyborg Art History: Physical for Digital

Ting Song

June 29 - July 23

SUMMER BLUES

Exhibition of work in various media, ranging from abstraction to abstracted representation, and conceptualizing as much the color and the tonality of 'SUMMER BLUE’ as the musicality and sentiment of the height of the summer. In this context, the works are related by color, even though the individual concepts and their execution may differ. BLUE, defined by the Oxford dictionary as "of a color intermediate between green and violet, as of the sky or sea on a sunny day”, is the element that unites them. Exhibition Walk Thru and Reception, THURSDAY, JULY 21, 6 - 8 pm.

June 4-July 24

Ava, Chloe, Blair, Nicole

New paintings and sculptures by Connor Marie Stankard.

June 30 - August 15 

Of the dregs: Genera

Erik Nilson

Autochthones: Marley Freeman; June 10 - June 23, 2022

take care: Verne Dawson; June 9 - June 22, 2022

Marley Freeman at 22 East 2nd

Verne Dawson at 188 and 172 East 2nd

July 8 - August 13

Ink

A group show of nearly forty works on paper. It features Roberta Allen, Chris Arabadjis, Nancy Blum, Lori Ellison, Sky Pape, Jessica Rosner, Eric Wolf using ink as their primary medium.

July 9 - July 30

'Stages'

Stages' is the debut solo exhibit by artist and photographer Sam Balaban. After spending multiple years covering modern music and the culture surrounding it through artist portraiture and live performance images, Sam began collaborating with other artists of all kinds and transformed his photography work into mixed-media art pieces. The show features a concise variety of this work and conveys Sam's belief that everything can and should be reimagined.

June 16 - July 17 

Unsettled

This exhibition, featuring the artists Daria Irincheeva, Marina Sagona, and Noa Charuvi, explores the themes of memory, heritage, and the invaluable comfort of home. Irincheeva (Russian-American), Sagona (Italian) and Charuvi (Israeli), all live in New York and their work explores the legacies of family and country through depictions of landscapes.

May 26 - July 16

GARDEN PARTY; KEISHA PRIOLEAU-MARTIN

Olympia is delighted to present Garden Party, Keisha Prioleau-Martin’s first solo exhibition with the gallery. Named for dreamy lands of soil overgrown with leaves and twigs, garden parties are pillowy sites for conversation, indulgences, and communal growth. In these works, fantastical narratives of everyday interactions press against urban life, full of light, color and pattern. These are calm and searching scenes, that bask in queerness and joyful unity.

June 23 - July 29

Perrotin is pleased to present three new exhibitions. On our first floor is a series of new work, using analogue recording material, by Gregor Hildebrandt. On our second floor is the gallery's first collaboration with London-based painter Oli Epp. Finally, on our third floor, Paola Pivi installs an immersive project, Free Land Scape, which is a 100-foot denim tunnel across the entire space.

May 7 - July 22, 2022
"It Flows Through" Nicholas Galanin

Nicholas Galanin (b. 1979, Sitka, Alaska) works at the intersection of conceptual and material practice, rooted in his Tlingit and Unangax̂ culture. Applying his creative agency in diverse media, Galanin celebrates cultural continuum, contradicts colonialism, and fights cultural erasure.

June 9 – July 22

David Adamo

Peter Freeman, Inc. is pleased to announce David Adamo’s fifth exhibition with the gallery. Adamo (born 1979, Rochester, New York, lives in Berlin, Germany) works with sculpture, drawing, and performance. Describing his early and current influences, and some of the individual works in the show, he writes: "One of my formative childhood memories is picking up a twig in the forest and gently peeling away the layer of bark with the blade of my pocket knife, revealing an entirely new form underneath and fundamentally transforming the twig through this simple act of removing material."

July 7 - August 13

No Pain No Gain

Rachel Youn (b. 1994, Abington, PA) is an artist living and working in St. Louis, MO. Working across sculpture and installation, Youn sources materials with a history of aspiration and failure through online secondhand shopping. Venturing into the suburbs, Youn rescues electric massagers from suburban limbo, fastening artificial plants to the machines to create kinetic sculptures that are clumsy, erotic, and absurd. Haunted by their immigrant father’s pursuit of the American Dream, their work identifies with the replica that earnestly desires to be real, and the failed object that simulates care and intimacy.

June 18 - July 30

Monochrome Paintings

signs and symbols is pleased to present Monochrome Paintings, South African artist Zander Blom’s second solo exhibition with the gallery. This latest body of work considers the possibilities of abstraction, focusing on subtle variations in tone as well as using new tools in silicone and rubber. At first glance, the Monochrome paintings may appear to be purely black and white, but the black paint is actually mixed with different colors on each canvas, alternately lending warmth or coolness. Because of the heavy use of linseed oil, halos of blue or yellow will often bleed around the edges of the black shapes, indicating the dominant color added to the black.

July 7 - August 13

3 Women: Grace Carney, Jeane Cohen & Abigail Dudley

Works by three young painters: Grace Carney, Jeane Cohen & Abigail Dudley

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July 14 - September 8

Manhattan Beach: Sun, Sand, Skin & Sweat

James A. Adams, Henry Ray Clark, Sanford Darling, Frederick Hastings, Royal Robertson, LC Spooner, Miroslav Tichy, Nat Werner, Erotic Barbies from Marvill Collection, and choice of related anonymous works.

July 8 - August 27

Torn Canvas Project

Characterized by curiosity, diversity, and inventiveness, William Pérez’s work embodies transformation. In a multimedia conceptual piece and red acrylic drawings on canvas, each a display of raw emotion, he explores restlessness with his creative process, rebelliousness against inertia, and a desire for radical change.

May 12th - July 30th

The Need

Maru Quioñero’s passion for volume, shape, texture, color and material has driven her to define compositions that visualize her own creative universe. Her Color and Vacuum series has been in development since 2017, serving to facilitate a conversation between color and emptiness. Through these extensive monochromatic studies, Quiñonero explores form beyond plastic expression, tapping into a process of possibility that continually draws from her lived experiences. The Need is the latest iteration of this venture, consisting of a capsule collection of works revolving around red and pink hues.